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Tejal Shah – What are You? (Works)

Selected Works

Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Video still from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view from What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Installation view of seating area for What are You? Installation with two channel video; color, sound. 11 min. Tejal Shah – What are You?
Tejal Shah, Untitled Polaroid Diptych I, 2000. Digital Lambda print based on original Polaroid, 20 x 24 in, ed. of 5 (+ 2 AP). (In collaboration with Tobaron Waxman.) Tejal Shah – What are You?
Tejal Shah, Untitled Polaroid Diptych II, 2000. Digital Lambda print based on original Polaroid, 20 x 24 in, ed. of 5 (+ 2 AP). (In collaboration with Tobaron Waxman.) Tejal Shah – What are You?
Tejal Shah, Back to Front I, 2000. Diptych, black and white silver gelatin print on fiber based paper, 16 x 20 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?
Tejal Shah, Back to Front II, 2000. Diptych, black and white silver gelatin print on fiber based paper, 16 x 20 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?
Tejal Shah, Back to Front III, 2000. Diptych, black and white silver gelatin print on fiber based paper, 16 x 20 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?
Tejal Shah, Encounters III, 2006. Triptych, digital archival print on fine art paper, 28 x 30 in, ed. of 5 (+ 2 AP). (In collaboration with Varsha Nair.) Tejal Shah – What are You?
Tejal Shah, Encounters I, 2006. Triptych, digital archival print on fine art paper, 28 x 30 in, ed. of 5 (+ 2 AP). (In collaboration with Varsha Nair.) Tejal Shah – What are You?
Tejal Shah, Encounters II, 2006. Triptych, digital archival print on fine art paper, 28 x 30 in, ed. of 5 (+ 2 AP). (In collaboration with Varsha Nair.) Tejal Shah – What are You?
Tejal Shah, Southern Siren, 2007. C-print, 58 x 38 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?
Tejal Shah, You Too Can Touch the Moon, 2007. C-print, 58 x 38 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?
Tejal Shah, Burnished Barge,2007. C-print, 38 x 58 in, ed. of 8 (+ 2 AP). Tejal Shah – What are You?

Tejal Shah

Tejal Shah – What are You?
May 25 – June 29, 2006

Tejal Shah – What are You? Press Release

One of the most significant Indian artists of her generation, Tejal Shah (b. 1979) works in video, photography, and performance. For her first U.S. solo exhibition, she presents a new video installation in which the pliable language of gender is explored in a physical, concrete manner not only by her chosen subjects but also through the medium itself. Moving casually between staged performances, documentary, music video and appropriation, Shah’s “What are You?” creates a direct relationship to her subjects’ manipulations of their own gender.

Rapidly paced shots of beach breakers and close ups of skin establish the space of the video-film both geographically, Mumbai, and conceptually, the body. Next, our subjects appear: full length figures against a black void of non-association. These portraits, removed from any context, direct our attention to the physicality of several members of the hijra (transgender) community. There is something unsettling in this direct confrontation. The women, who are staring at us, begin a recitation of their constitutionally guaranteed rights. Their self-conscious performativity falls with a burst of laughter irritating our reading of their relationship to the recited text.

Interspersed with ‘70s, governmentally produced, medical clips and industrial footage about ‘man and his complicated machines’, the film moves into the documentation of one individual’s experience of the gender reassignment process. The split screen presents to us simultaneously the content and beautiful result contrasted with the doctor’s uneasy, clinical account of the transformation. The film concludes with slow dancing bodies moving with colorful, neo-op, go-go patterns inviting us to the life embracing vitality of this community.

As a result of her ongoing involvement, Shah, for this project, spent time with Hijra sex-workers in the red-light district of Mumbai. The installation includes four beds, which are based on those found in local brothels. Arranged barrack style and painted in a distressed mauve finish she creates an environment, which fictionalizes a reality in stark contrast to the realized fiction of the film. Ultimately, gender, reality and fiction remain slippery concepts which due to their interdependence refuse to function traditionally in the encapsulating visual and theoretical space the artist has created.

Shah grew up in central India, eventually moving to Bombay in 1995. She completed her BA in photography in Australia and went on to the Art Institute of Chicago as a Visiting Scholar. Since 2001, she has been working and living in Bombay.

The Ecole Nationale des Beaux Arts, Paris, included her work recently in Indian Summer as did, over the past 5 years, numerous prestigious venues such as The National Gallery of Modern Art, Bombay; Culturgest Museum, Lisbon; Fukuoka Asian Art Museum, Japan; Total Museum, Seoul; and the Institute Of Modern Art, Brisbane, Australia. She had a well received solo exhibition in Berlin in 2003 and her works have screened at many festivals including Video Brazil. The Centre Georges Pompidou, Paris, has recently acquired her work as did several private collections in India and abroad.

Upcoming are solo exhibitions with Galerie Mirchandani + Steinruecke, Mumbai; Devi Art Foundation, New Delhi; a group show at the Fondazione Sandretto Re Rebaudengo, Turin, and her inclusion in the inaugural presentation of the Elizabeth Sackler Center for Feminist Art at the Brooklyn Museum, NY.

This exhibition is part of the Asian Contemporary Art Week, May 22 – 27, 2006.
ACAW Video Artist: So, Man Yee Stella.

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